Rirkrit Tiravanija | Brooklyn Rail
By David Ross
When Rirkrit Tiravanija was invited to participate in the 1995 biennial, David Ross was serving as the museum’s director. Tiravanija’s contribution was aggressive. His installation featured a plywood hut equipped with electric guitars. Anyone could play. Tiravanija’s art is one of activation, of meaning accrued through participation. On the occasion of the Thai artist’s retrospective exhibition at PS1, Ross reconnected with Tiravanija. Over multiple conversations they discussed the evolving role of the artist, how Tiravanija adapts his work for museums while sustaining the life force it’s meant to cultivate, and the empowering role played by educators.