Known for his paintings based on photographs of uninhabited interiors and landscapes, British painter Paul Winstanley has been doing basically the same thing for a long time.  Winstanley works with a range of subtle effects taken from photographic technologies. Particularly notable are the digital-like shifts in saturation that play out over a number of the works, where it sometimes feels, when walking from one canvas to the next, as though the brightness has been turned up on the world.  Drained of colour, the artificial light from fluorescent lamps travels across the steel and glass construction, drawing our eyes along the empty passage.

Hardcover: 120 pages

Publisher: Maureen Paley Interim Art (December 2, 2000)

ISBN-10: 0953975908

ISBN-13: 978-0953975907